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A compelling story is hard to convey from across the street with the need for severe cropping. Sometimes you must capture the moment from wherever you are, then consider moving closer if that moment is still present. I like capturing scenes where two people are interacting or alternatively, purposely avoiding interaction in some interesting manner, be it positively or negatively. If you listen carefully to the lyrics, you can understand how it completely nails the world of a street photographer. Only through actual experience will you find your voice.

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Online Slot - Age of Privateers Big Win and LIVE CASINO GAMES (Casino Slots) Human interaction or isolation are concepts that fascinate me and are common narratives in my work. Now if you mean by social commentary conveying a visual message shedding more light on a particular social issue, I would say yes to that too. Another thing I often try to capture is visual tension, some sort of cognitive dissonance if you will. If too much is missing, the viewer of that image may quickly move on. Prior to that, I had no interest in photography whatsoever; all I wanted to do is document the fact that I had finally achieved my lifelong dream of going to Paris. Still one of my favorite series. If you are the site owner, please open a ticket here asap for us to look at it for you: Several people have mentioned Hopper by name when commenting on my work. Henri Cartier-Bresson was my earliest influence in street photography. Where you do you find yourself?



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